manderlay
and so we see the return of Grace, whose tragic experience in Dogville has made her a woman. Still, her child-like inhibitions and naive idealism remains, as if Dogville had never left its mark.
of course, her eyes tell otherwise. the scar of the ultimate betrayal would have never dissipated that easily.
arriving at Manderlay, she discovers a gated cotton making village. imprisoned in the village, or so so she thought they were, is a group of african american slaves. the gates isolate them from the outside. a world where slavery had long been abolished: the land of the free. and so, in a savioral gesture for liberation, Grace opened up the gates of Manderlay.
Manderlay was to be a democracy. whether they wanted it or not.
Labels: film, lars von trier

2 Comments:
I haven't watched this film yet. But I like Lars von Trier' Dancer in the dark. It's a beautiful story.
yes, it is (though most would think of it as this morbid tragedy). its a strange feeling, watching bjork sing her way through the film.
i also saw an older von trier film, the idiots. great story, as usual.
i do prefer dogville and its sequel manderlay though ... more complex storylines and superb, unexpected twists ... and also a good cast and a very original aesthetic.
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